Use Code: LAYER30
Feizy Kano Transitional Abstract - Black/Gray/Ivory Area Rug
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Description
Description
| Collection: | Kano |
|---|---|
| Colors: | Black, Gray, Ivory |
| Construction: | Machine Made |
| Material: | Face: Polypropylene, Polyester / Warp: Jute |
| Pile: | Low Pile |
| Pile Height: | 0.41" |
| Styles: | Transitional,Industrial,Casual |
| Backing: | Jute |
| Made In: | Turkey |
| Thickness: | 0.41" |
Product Attributes
Product Attributes
Product Highlights
Product Highlights
A moody black-to-gray ombre with drifting ivory lines — the Kano brings abstract, painterly drama to any modern or transitional space.
- Dramatic black-to-gray ombre with flowing ivory abstract lines
- Low pile at 0.41 inches — sleek, easy to vacuum and maintain
- Transitional design bridges modern and contemporary interiors
- Jute backing for natural grip and stability on hard floors
- Polyester/polypropylene face fibers for durability and subtle sheen
- Works beautifully as a statement rug or layered under furniture
A rectangular area rug with a strong vertical ombre gradient — the lower two-thirds of the rug is a deep, dense charcoal black, transitioning through mid-gray into a soft pale gray-ivory at the top edge. Overlaid across the entire surface are irregular, flowing ivory-white vertical lines of varying widths and lengths, resembling rain streaks or brushstrokes, distributed fairly evenly across the width of the rug. The texture is low and smooth with a subtle woven surface visible between the lines. Edges are cleanly bound with no fringe or tassels. The overall impression is of a moody, painterly abstract piece — dark and dramatic but refined.
Styling Guide
Styling Guide
moody, sophisticated, and quietly dramatic
cool paletteA deep, moody black dominates the center and lower half of the rug, gradually softening into mid-gray and then pale ivory toward the top — like ink dissolving in water. Flowing ivory lines trace vertical paths across the entire surface, creating a sense of movement and light against the dark ground.






















